Vorlage:1954 Rezensionen Religiöse Gestalten in Dostojewskijs Werk: Unterschied zwischen den Versionen
Aus Romano-Guardini-Handbuch
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* [1954-000] [Englisch] [[Lea Goldberg]]: Dostoievsky and German Romanticism, in: [[Scripta Hierosolymitana]]: Publications of the Hebrew University of Jerusalem, 10, 1954, S. 117 ff. [neu aufgenommen] – [Artikel] - https://books.google.de/books?id=CwIL0TXidmIC; zu Romano Guardini: | |||
** S. 118: „We are not concerned to show (as is, say, Romano Guardini3) that Dostoievsky was a Romantic. At times the accepted tags of literary theory do not fit the facts, especially when it is a question of pinning such a tag onto a complex literary figure who refuses to squeeze docilely into the compartment allotted him.“ | |||
** S. 120 „However, the purpose of our discussion is neither to examine Dostoievsky´s attitude towards Romanticism nor to point out the more obvious Romantic aspects of his work, such as irony, worship of ideal „beauty,“ oder faith in the glorious destiny of the people, upon which latter Romano Guardini bases his theory9. We shall deal only with those features common to the works of Dostoievsky and the German Romantics, that express man's far - reaching discomfort and unhappiness in the world.“ | |||
* [1954-000] [[Kurt Vancsa]]: Rezension zu: Guardini, Religiöse Gestalten in Dostojewskijs Werk, in: [[Die Zeit im Buch]], Wien, 1954, 11. März [Mercker 3620] - [Rezension] - [noch nicht online] | |||
Version vom 31. Oktober 2024, 23:49 Uhr
- [1954-000] [Englisch] Lea Goldberg: Dostoievsky and German Romanticism, in: Scripta Hierosolymitana: Publications of the Hebrew University of Jerusalem, 10, 1954, S. 117 ff. [neu aufgenommen] – [Artikel] - https://books.google.de/books?id=CwIL0TXidmIC; zu Romano Guardini:
- S. 118: „We are not concerned to show (as is, say, Romano Guardini3) that Dostoievsky was a Romantic. At times the accepted tags of literary theory do not fit the facts, especially when it is a question of pinning such a tag onto a complex literary figure who refuses to squeeze docilely into the compartment allotted him.“
- S. 120 „However, the purpose of our discussion is neither to examine Dostoievsky´s attitude towards Romanticism nor to point out the more obvious Romantic aspects of his work, such as irony, worship of ideal „beauty,“ oder faith in the glorious destiny of the people, upon which latter Romano Guardini bases his theory9. We shall deal only with those features common to the works of Dostoievsky and the German Romantics, that express man's far - reaching discomfort and unhappiness in the world.“
- [1954-000] Kurt Vancsa: Rezension zu: Guardini, Religiöse Gestalten in Dostojewskijs Werk, in: Die Zeit im Buch, Wien, 1954, 11. März [Mercker 3620] - [Rezension] - [noch nicht online]
