Vorlage:1945 Sekundärbibliographie Liturgie

Aus Romano-Guardini-Handbuch

Zu: Liturgiewissenschaft/Liturgische Bewegung

  • [1945-02] [Englisch] Algernon Cecil: A House in Bryanston Square, 1945 [neu aufgenommen] - [Monographie] - https://books.google.de/books?id=pwIsAAAAIAAJ; zu Romano Guardini:
    • S. 337 f.: „And this view, here so violently expressed by the outraged artist, is in a mild manner endorsed by an eminent Anglican writer on mysticism - Evelyn Underhillt - who deliberately selects the Roman Missal as best qualified to show the mystic life of man moving into relation with the Eucharist and so losing itself in the Corpus Christi mysticum - the mystical body of Christ. The restrained, artistic merit of what is thus liturgically achieved lies, if one critic is right, in a certain urbanity which enables us „to express our inner life in all its fulness and depth without divulging our secrets“. „The liturgy“, he continues, „here accomplishes on the spiritual plane what has been done on the temporal by the dignified forms of social intercourse, the outcome of tradition created and handed down by sensitive people. This makes communal life possible for the individual, and yet insures him against unauthorized interference with his inner self he can be cordial without sacrificing his spiritual independence; he is in communication with his neighbor without on that account being swallowed up and lost among the crowd. In the same way the liturgy preserves freedom of spiritual movement for the soul by means of wonderful union of spontaneity and the finest erudition. It extols urbanitas as the best antidote to barbarism, which triumphs when spontaneity and culture alike are no more.“[* R. Guardini, "Spirit of the Liturgy", p. 22.] `Urbanitas´ - the urbanity of the City of God – that is perhaps the impression par excellence which the movement of the Renaissance as it reaches, religiously speaking, its artistic apex in St. Peter's, has the power to convey.“
  • [1945-003] [Französisch] Paul Doncoeur: Conditions d´une Renaissance de l´Office canonial. A propos de la nouvelle traduction officielle du psautier, in: Etudes (Etudes religieuses, philosophiques et historiques), 1945, Bulletin de liturgie pratique, S. 256-265 [neu aufgenommen] – [Artikel] - https://books.google.de/books?id=_csWAQAAIAAJ; zu Romano Guardini:
    • S. 262: „Romano Guardini a montré dans son Esprit de la Liturgie que le régime liturgique n'entend pas satisfaire à tous les besoins et spécialement aux besoins extraordinaires du peuple chrétien. La liturgie constitue un régime commun. Elle apprend au peuple, selon le mot de Salazar, à «vivre ordinairement».
  • [1945-004] [Englisch] Charles Dreisoerner: The Psychology of Liturgical Music, [Imprimatur 1942], 1945; 1946 [neu aufgenommen] – [Monographie] - https://books.google.de/books?id=85Y6AAAAIAAJ ; zu Romano Guardini:
    • S. 1: „Only a few authors, however, - Herwegen und Guardini, for example, - have until now published ex professo studies on philosophy, aesthetic, and psychological aspects of liturgy.“
    • S. 16 mit Anmerkung 12 S. 41: „But we must at least remark in passing that the liturgy respects in an outstanding way the primacy of the body at the origin of psychic processes, as well as the continual interdependence of body and mind in their progress and development.[12) […] The union of soul and body that constitutes human nature must appear in human actions and in human prayer. This point is well developed in the first part of R. Guardini, Liturgische Bildung (Rothenfels, 1923)]
    • S. 21 mit Anmerkung 20 S. 42: „Even then the synthesis of the individuals into a liturgical community still demands a sacrifice: each must put aside his own particular petitions and feelings for some other time of private prayer, in order to lend himself to what the community action demands of him.[20) Cf. R. Guardini, Vom Geist der Liturgie (Herder, Freiburg, 1939), p. 6-21, 24-26, 36-37; …]“
  • [1945-005] [Englisch] Richard Heinemann presents "Original Magic", 1945 [neu aufgenommen] – [Monographie] - https://books.google.de/books?id=fOYNAQAAIAAJ; zu Romano Guardini:
    • S. 35: "It is simply that we have not yet learned the language of expression through the hands. "How often a quick raising or a slight twitch of the hand says more even than the spoken word," exclaims Romano Guardini, a religious writer. "It appears sometimes as if the spoken word were almost coarse compared with the delicate language of the hands. Of them the Church says that God has given them to us in order that we may carry our souls in them." This expression, to "carry our souls in them" is to be taken very literally. The entire body is an instrument for the expression of our inner selves. Certain parts of the body are better organized and developed than others for this function of expression. Chief among these are the face and hands."
  • [1945-006] [Englisch] Gordon Worley Ireson: Church Worship and the Non-churchgoer: A Handbook for Clergy and Teachers, 1945, Abschnitt: Training in Worship [neu aufgenommen] – [Monographie] - https://books.google.de/books?id=5FlbAAAAMAAJ; zu Romano Guardini:
    • S. 62f.: „It is a further characteristic of traditional Christian worship that it is restrained. „Emotion glows in its depths , but it smoulders merely , like the fiery heart of a volcano, whose summit stands out clear and serene against the quiet sky. The liturgy is emotion, but it is emotion under the strictest control' . . . If prayer is ultimately to be fruitful and to a corporate body, it must be intense and profound, but at the same time normally tranquil in tone.“ [1 Romano Guardini, Spirit of the Liturgy, trans. by Ada Lane.]“
  • [1945-007] [Englisch] Edward Ingram Watkin: The Catholic Centre, 1945 [neu aufgenommen] – [Monographie] - https://books.google.de/books?id=-DBiAAAAMAAJ; zu Romano Guardini:
    • S. 16: „Moreover, as Romano Guardini has pointed out, the seemingly formal language of the sacred texts enables the soul to pour out her heart safeguarded by this veil from the too inquisitive intrusion of her neighbour.“

Zu: Christliche Kunst und Architektur

  • [1945-008] [Englisch] Maurice Lavanoux: The Liturgy, Art, and Common Sense, in: Liturgical Arts, 13, 1944/45, 3 (Mai 1945), S. 52-55 [neu aufgenommen] – [Artikel] - https://books.google.de/books?id=PTSl5hKoTSAC;
    • S. 54: „The liturgist then, the lay, the artistic liturgist is, in truth, the realist of the liturgical revival. „In this connection, between the reality of the liturgy and the reality of art of our times, we cannot go astray if we quote from a widely-accepted authority, Romano Guardini. In his Spirit of the Liturgy, we find this: "The liturgy wishes to teach, but not by means of an artificial system of aim-conscious emotional influences; it simply creates an entirely spiritual world in which the soul can live according to the requirements of its nature.“ The same can be said of an atmosphere in which a vital, living religious art can develop, according to the requirements of its nature and untramelled by the emotional gyrations of past- conscious obstructionists. - To quote further from Guardini: „The Church has not built up the Opus Dei for the pleasure of forming beautiful symbols, choice language, and graceful, stately gestures, but she has done it insofar as it is not completely devoted to worship of God - for the sake of our desperate spiritual need. It is to give expression to the events of the Christian's inner life; the assimilation, through the Holy Ghost, of the life of the creature to the life of God in Christ; the actual and genuine rebirth of the creature into a new existence; the development and nourishment of this life, its stretching forth from God in the Blessed Sacrament and the means of grace, toward God in prayer and sacrifice. All this takes place in the continual mystical renewal of Christ's life in the course of the ecclesiastical year. The fulfilment of all these processes by the set form of language, gesture, accomplishment and acceptance of the faithful, together constitute the liturgy. We see, then, that it is primarily concerned with reality, with the approach of a real creature to a real God, and with the profoundly real and serious matter of redemption. There is here no question of creating beauty, but of finding salvation for stricken humanity. Here truth is is at stake, and the fate of the sole – life. All this is which must be revealed, expressed, sought after, found and impartet by every possible means and method; and when this is accomplished, lo! it is turned to beauty." Futher, Abbott Herwegen, remarks: „I stress the point that the liturgy has developed into a work of art. The liturgy bore within itself so much of the seed of beauty that it was of itself bound to flower ultimately. But the internal principle which controlled the form of that flowering was the essence of Christianity." The liturgist, then - the sensible liturgist is, in truth, the realist and the interpreter of that beauty which is inherent in the liturgy.“

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Rezensionen zu: Vom Geist der Liturgie (1918)

  • [1945-008] [Französisch] Pie Duployé/Centre de pastorale liturgique: Le clan routier à la messe (Kurzrezension zu: Guardini, L´esprit de la liturgie), 1945, S. 10 (???) [neu aufgenommen] – [Rezension] - https://books.google.de/books?id=2SwGEAAAQBAJ&pg=PT10:
    • R. GUARDINI: L'esprit de la liturgie. C'est un livre que les routiers cultivés doivent avoir lu. Ils s'arrêteront, en particulier, sur la longue préface à l'édition française de R. d'Harcourt.“
  • [1945-009] [Niederländisch] M. de Furstenberg (Maximilien de Fürstenberg): Rezension zu: Guardini, De geest der liturgie (Vom Geist der Liturgie, ndld.), in: La Vie diocésaine, 30, 1945, S. 332 [neu aufgenommen] – [Rezension] - https://books.google.de/books?id=LNtqO5S6j4sC; zu Romano Guardini:
    • S. 332: „Romano GUARDINI. De Geest der Liturgie. Uit het Duitsch vertaald door een Kanunnikes van het H. Graf te Turnhout. 218 blz. 19 × 11. Turnhout, N. V. Etablissementen Brepols, (1940). Pr. ingen. 16 fr.; geb. 22 fr. Het is voor ons een waar genoegen deze Nederlandsche vertaling van het welbekende en hooggeprezen werkje van R. Guardini …“ (muss noch am Original vervollständigt werden)
  • [1945-010] [Niederländisch]: Theologie en Liturgie (Rezension zu: Guardini, Vom Geist der Liturgie, ndld.), in: Kultuurleven. Maandschrift voor hernieuwing der geesteskultuur, 12, 1945, S. 135 ff. [neu aufgenommen] – [Rezension] - https://books.google.de/books?id=pemmvuSjHtUC; zu Romano Guardini:
    • S. 135 f.: „Een Werk dat velen den waren geest der Liturgie zal doen kennen en aanvoelen, is De geest der Liturgie van Rom. Guardini, - uit het Duitsch vertaald door een kannunikes van het H. Graf, Turnhout, Brepols, 1940. Een zeer knappe vertaling van origineele en diepzinnige studies over liturgisch bidden, liturgische gemeenschap en -symboliek, liturgie als spel, de ernst der liturgie. R. d´Harcourt schetst daarbij in een interessante inleidung de rol van Guardini in de liturgische Beweging.“
  • [1945-011] [Niederländisch] Rezension zu: Guardini, De geest der liturgie, 2de druk, in: Kultuurleven. Maandschrift voor hernieuwing der geesteskultuur, 12, 1945, S. 279 [neu aufgenommen] – [Rezension] - https://books.google.de/books?id=pemmvuSjHtUC; zu Romano Guardini:
    • S. 279: „Hoewel, zooals uit de leerzame Inleiding van R D´Harcourt duidelijk blijkt, uit specifiek-Duitsche tijdsnoodwendigheden onstaan, blijft, ook na de felle groei der liturgische belangstelling, het werk van Guardini van eerste rang. Wie de Duitsche tekst ooit onder het oog had, zal de lenigheid der vertaling prijzen.“

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Rezensionen zu: Ein Wort zur liturgischen Frage (1940)

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