Vorlage:2023 Sekundärbibliographie Literatur: Unterschied zwischen den Versionen

Aus Romano-Guardini-Handbuch
 
(17 dazwischenliegende Versionen desselben Benutzers werden nicht angezeigt)
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# [2023-053] [[Michael O´Connell]]: Startling Figures: Encounters with American Catholic Fiction, 2023, im Kapitel: Walker Percy and the End of the Modern World (O´Connell verweist auf Einfluss von Guardini und seinem Werk (insbesondere Guardini, Das Ende der Neuzeit) auf Walker Percy) [Monographie] - https://books.google.de/books?id=rubGEAAAQBAJ&pg=PT41
* [2023-146] [Italienisch] [[Alberto Cuomo]]: Mies. Nicht mehr ist, 2023 [Monographie] - [noch nicht online]; laut Zusammenfassung Bezug zu Guardini
* [2023-147] [Englisch] [[Bert Daelemans]]: Violence Transformed by Art: Five women artists, in: [[La Civiltà Cattolica English]], 2023, 22. September [Artikel] - [noch nicht online]
* [2023-148] [Italienisch] [[Yvonne Dohna Schlobitten]]: Verso nuovi occhi. L'arte dello sguardo sul tutto, 2023 [Monographie] - [noch nicht online]
* [2023-149] [Englisch] [[Michael O´Connell]]: Startling Figures: Encounters with American Catholic Fiction, 2023, im Kapitel: Walker Percy and the End of the Modern World (O´Connell verweist auf Einfluss von Guardini und seinem Werk (insbesondere Guardini, Das Ende der Neuzeit) auf Walker Percy) [Monographie] - https://books.google.de/books?id=rubGEAAAQBAJ&pg=PT41
* [2023-150] [Englisch] [[Robert Lazu Kmita]]: Literature, Truth and Beauty: Or, why “art for art’s sake” is poisonous. Novels, stories, and poems, preoccupied as they are, first and foremost, with the revelation of beauty, demand our capacity to love, in: [[The Catholic World Report]], 2023, 23. September [Artikel] - https://www.catholicworldreport.com/2023/09/23/literature-truth-and-beauty-or-why-art-for-arts-sake-is-poisonous/
* [2023-151] [Englisch] [[Antonio Spadaro]]: Bergoglio’s Map: Literature in the formation of Pope Francis, in: [[La Civiltà Cattolica English]], 2023, 14. März [Artikel] - https://www.laciviltacattolica.com/bergoglios-map-literature-in-the-formation-of-pope-francis/
** "Bergoglio loves tensions, "polar opposites," as Romano Guardini, who was a great interpreter of Dostoevsky and had a great influence on Bergoglio’s thought, called them. [...] Certainly from Guardini he learned that Dostoevsky described the existence of his characters by considering two poles in tension: "the moment of fullness of existence, the undefined, the fluid element elusive to all form, the sudden and unpredictable.""
* [2023-152] [Italienisch] [[Simone Stancampiano]]: L' ultimo pasolini tra volgar´eloquio e dopostorla, in: [[Antonianum]], 98, 2023, 3, S. 563-584 [Artikel] - [noch nicht online]
* [2023-153] [Englisch] [[Cezary Wąs]]: The ideological sources of Mies van der Rohe's architecture. Comments on the publication of Letters from Lake Como by Romano Guardini, Februar 2023 [Rezension] - https://www.researchgate.net/publication/368391979_The_ideological_sources_of_Mies_van_der_Rohe's_architecture_Comments_on_the_publication_of_Letters_from_Lake_Como_by_Romano_Guardini_Teka_Komisji_Urbanistyki_i_Architektury_Oddzialu_PAN_w_Krakowie_Kra oder https://www.researchgate.net/publication/369093564_The_ideological_sources_of_Mies_van_der_Rohe%27s_architecture_Comments_on_the_publication_of_Letters_from_Lake_Como_by_Romano_Guardini
 
==== Zu: Dante (1931) ====
* [2023-154] [Englisch] [[Rachel K. Teubner]]: Dante and the Practice of Humility. A theological commentary on the Divine Comedy, 2023 [Monographie] - https://books.google.de/books?id=rzHEEAAAQBAJ&pg=PA25; zu Romano Guardini S. 25, besonders Anmerkung 68
 
==== Dostojewskij (1931) ====
* [2023-155] [Russisch] [[Caterina Corbella]]: Crime and Punishment in the Works of Romano Guardini and Divo Barsotti, 2023 (Vortrag) [Artikel] - https://typeset.io/pdf/crime-and-punishment-in-the-works-of-romano-guardini-and-3kj255co.pdf oder https://www.researchgate.net/publication/371682048_Crime_and_Punishment_in_the_Works_of_Romano_Guardini_and_Divo_Barsotti; mit englischem Abstract; zu Romano Guardini: "Barsotti and Guardini focus on Sonya as God's presence. - Sonya embodies holiness through self-sacrifice, living in relation with God."

Aktuelle Version vom 9. Juni 2024, 12:21 Uhr

Zu: Dante (1931)

Dostojewskij (1931)