Vorlage:2023 Sekundärbibliographie Literatur: Unterschied zwischen den Versionen
Aus Romano-Guardini-Handbuch
Markierung: Zurückgesetzt |
Markierung: Manuelle Zurücksetzung |
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** "Bergoglio loves tensions, "polar opposites," as Romano Guardini, who was a great interpreter of Dostoevsky and had a great influence on Bergoglio’s thought, called them. [...] Certainly from Guardini he learned that Dostoevsky described the existence of his characters by considering two poles in tension: "the moment of fullness of existence, the undefined, the fluid element elusive to all form, the sudden and unpredictable."" | ** "Bergoglio loves tensions, "polar opposites," as Romano Guardini, who was a great interpreter of Dostoevsky and had a great influence on Bergoglio’s thought, called them. [...] Certainly from Guardini he learned that Dostoevsky described the existence of his characters by considering two poles in tension: "the moment of fullness of existence, the undefined, the fluid element elusive to all form, the sudden and unpredictable."" | ||
* [2023-152] [Italienisch] [[Simone Stancampiano]]: L' ultimo pasolini tra volgar´eloquio e dopostorla, in: [[Antonianum]], 98, 2023, 3, S. 563-584 [Artikel] - [noch nicht online] | * [2023-152] [Italienisch] [[Simone Stancampiano]]: L' ultimo pasolini tra volgar´eloquio e dopostorla, in: [[Antonianum]], 98, 2023, 3, S. 563-584 [Artikel] - [noch nicht online] | ||
==== Zu: Dante (1931) ==== | ==== Zu: Dante (1931) ==== | ||
* [2023- | * [2023-153] [Englisch] [[Rachel K. Teubner]]: Dante and the Practice of Humility. A theological commentary on the Divine Comedy, 2023 [Monographie] - https://books.google.de/books?id=rzHEEAAAQBAJ&pg=PA25; zu Romano Guardini S. 25, besonders Anmerkung 68 | ||
==== Dostojewskij (1931) ==== | ==== Dostojewskij (1931) ==== | ||
* [2023- | * [2023-154] [Russisch] [[Caterina Corbella]]: Crime and Punishment in the Works of Romano Guardini and Divo Barsotti, 2023 (Vortrag) [Artikel] - https://typeset.io/pdf/crime-and-punishment-in-the-works-of-romano-guardini-and-3kj255co.pdf oder https://www.researchgate.net/publication/371682048_Crime_and_Punishment_in_the_Works_of_Romano_Guardini_and_Divo_Barsotti; mit englischem Abstract; zu Romano Guardini: "Barsotti and Guardini focus on Sonya as God's presence. - Sonya embodies holiness through self-sacrifice, living in relation with God." | ||
Aktuelle Version vom 14. Oktober 2024, 23:19 Uhr
- [2023-146] [Italienisch] Alberto Cuomo: Mies. Nicht mehr ist, 2023 [Monographie] - [noch nicht online]; laut Zusammenfassung Bezug zu Guardini
- [2023-147] [Englisch] Bert Daelemans: Violence Transformed by Art: Five women artists, in: La Civiltà Cattolica English, 2023, 22. September [Artikel] - [noch nicht online]
- [2023-148] [Italienisch] Yvonne Dohna Schlobitten: Verso nuovi occhi. L'arte dello sguardo sul tutto, 2023 [Monographie] - [noch nicht online]
- [2023-149] [Englisch] Michael O´Connell: Startling Figures: Encounters with American Catholic Fiction, 2023, im Kapitel: Walker Percy and the End of the Modern World (O´Connell verweist auf Einfluss von Guardini und seinem Werk (insbesondere Guardini, Das Ende der Neuzeit) auf Walker Percy) [Monographie] - https://books.google.de/books?id=rubGEAAAQBAJ&pg=PT41
- [2023-150] [Englisch] Robert Lazu Kmita: Literature, Truth and Beauty: Or, why “art for art’s sake” is poisonous. Novels, stories, and poems, preoccupied as they are, first and foremost, with the revelation of beauty, demand our capacity to love, in: The Catholic World Report, 2023, 23. September [Artikel] - https://www.catholicworldreport.com/2023/09/23/literature-truth-and-beauty-or-why-art-for-arts-sake-is-poisonous/
- [2023-151] [Englisch] Antonio Spadaro: Bergoglio’s Map: Literature in the formation of Pope Francis, in: La Civiltà Cattolica English, 2023, 14. März [Artikel] - https://www.laciviltacattolica.com/bergoglios-map-literature-in-the-formation-of-pope-francis/
- "Bergoglio loves tensions, "polar opposites," as Romano Guardini, who was a great interpreter of Dostoevsky and had a great influence on Bergoglio’s thought, called them. [...] Certainly from Guardini he learned that Dostoevsky described the existence of his characters by considering two poles in tension: "the moment of fullness of existence, the undefined, the fluid element elusive to all form, the sudden and unpredictable.""
- [2023-152] [Italienisch] Simone Stancampiano: L' ultimo pasolini tra volgar´eloquio e dopostorla, in: Antonianum, 98, 2023, 3, S. 563-584 [Artikel] - [noch nicht online]
Zu: Dante (1931)
- [2023-153] [Englisch] Rachel K. Teubner: Dante and the Practice of Humility. A theological commentary on the Divine Comedy, 2023 [Monographie] - https://books.google.de/books?id=rzHEEAAAQBAJ&pg=PA25; zu Romano Guardini S. 25, besonders Anmerkung 68
Dostojewskij (1931)
- [2023-154] [Russisch] Caterina Corbella: Crime and Punishment in the Works of Romano Guardini and Divo Barsotti, 2023 (Vortrag) [Artikel] - https://typeset.io/pdf/crime-and-punishment-in-the-works-of-romano-guardini-and-3kj255co.pdf oder https://www.researchgate.net/publication/371682048_Crime_and_Punishment_in_the_Works_of_Romano_Guardini_and_Divo_Barsotti; mit englischem Abstract; zu Romano Guardini: "Barsotti and Guardini focus on Sonya as God's presence. - Sonya embodies holiness through self-sacrifice, living in relation with God."
