Vorlage:2023 Sekundärbibliographie Literatur: Unterschied zwischen den Versionen
Aus Romano-Guardini-Handbuch
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# [2023- | # [2023-077] [Englisch] [[Bert Daelemans]]: Violence Transformed by Art: Five women artists, in: [[La Civiltà Cattolica English]], 2023, 22. September [Artikel] - [noch nicht online] | ||
# [2023- | # [2023-078] [Italienisch] [[Yvonne Dohna Schlobitten]]: Verso nuovi occhi. L'arte dello sguardo sul tutto, 2023 [Monographie] - [noch nicht online] | ||
# [2023- | # [2023-079] [Englisch] [[Michael O´Connell]]: Startling Figures: Encounters with American Catholic Fiction, 2023, im Kapitel: Walker Percy and the End of the Modern World (O´Connell verweist auf Einfluss von Guardini und seinem Werk (insbesondere Guardini, Das Ende der Neuzeit) auf Walker Percy) [Monographie] - https://books.google.de/books?id=rubGEAAAQBAJ&pg=PT41 | ||
# [2023- | # [2023-080] [Englisch] [[Robert Lazu Kmita]]: Literature, Truth and Beauty: Or, why “art for art’s sake” is poisonous. Novels, stories, and poems, preoccupied as they are, first and foremost, with the revelation of beauty, demand our capacity to love, in: [[The Catholic World Report]], 2023, 23. September [Artikel] - https://www.catholicworldreport.com/2023/09/23/literature-truth-and-beauty-or-why-art-for-arts-sake-is-poisonous/ | ||
# [2023- | # [2023-081] [Englisch] [[Antonio Spadaro]]: Bergoglio’s Map: Literature in the formation of Pope Francis, in: [[La Civiltà Cattolica English]], 2023, 14. März [Artikel] - https://www.laciviltacattolica.com/bergoglios-map-literature-in-the-formation-of-pope-francis/ | ||
## "Bergoglio loves tensions, "polar opposites," as Romano Guardini, who was a great interpreter of Dostoevsky and had a great influence on Bergoglio’s thought, called them. [...] Certainly from Guardini he learned that Dostoevsky described the existence of his characters by considering two poles in tension: "the moment of fullness of existence, the undefined, the fluid element elusive to all form, the sudden and unpredictable."" | ## "Bergoglio loves tensions, "polar opposites," as Romano Guardini, who was a great interpreter of Dostoevsky and had a great influence on Bergoglio’s thought, called them. [...] Certainly from Guardini he learned that Dostoevsky described the existence of his characters by considering two poles in tension: "the moment of fullness of existence, the undefined, the fluid element elusive to all form, the sudden and unpredictable."" | ||
Version vom 13. November 2023, 08:20 Uhr
- [2023-077] [Englisch] Bert Daelemans: Violence Transformed by Art: Five women artists, in: La Civiltà Cattolica English, 2023, 22. September [Artikel] - [noch nicht online]
- [2023-078] [Italienisch] Yvonne Dohna Schlobitten: Verso nuovi occhi. L'arte dello sguardo sul tutto, 2023 [Monographie] - [noch nicht online]
- [2023-079] [Englisch] Michael O´Connell: Startling Figures: Encounters with American Catholic Fiction, 2023, im Kapitel: Walker Percy and the End of the Modern World (O´Connell verweist auf Einfluss von Guardini und seinem Werk (insbesondere Guardini, Das Ende der Neuzeit) auf Walker Percy) [Monographie] - https://books.google.de/books?id=rubGEAAAQBAJ&pg=PT41
- [2023-080] [Englisch] Robert Lazu Kmita: Literature, Truth and Beauty: Or, why “art for art’s sake” is poisonous. Novels, stories, and poems, preoccupied as they are, first and foremost, with the revelation of beauty, demand our capacity to love, in: The Catholic World Report, 2023, 23. September [Artikel] - https://www.catholicworldreport.com/2023/09/23/literature-truth-and-beauty-or-why-art-for-arts-sake-is-poisonous/
- [2023-081] [Englisch] Antonio Spadaro: Bergoglio’s Map: Literature in the formation of Pope Francis, in: La Civiltà Cattolica English, 2023, 14. März [Artikel] - https://www.laciviltacattolica.com/bergoglios-map-literature-in-the-formation-of-pope-francis/
- "Bergoglio loves tensions, "polar opposites," as Romano Guardini, who was a great interpreter of Dostoevsky and had a great influence on Bergoglio’s thought, called them. [...] Certainly from Guardini he learned that Dostoevsky described the existence of his characters by considering two poles in tension: "the moment of fullness of existence, the undefined, the fluid element elusive to all form, the sudden and unpredictable.""
