Vorlage:2023 Sekundärbibliographie Literatur: Unterschied zwischen den Versionen

Aus Romano-Guardini-Handbuch
Markierung: Zurückgesetzt
Markierung: Zurückgesetzt
Zeile 7: Zeile 7:
** "Bergoglio loves tensions, "polar opposites," as Romano Guardini, who was a great interpreter of Dostoevsky and had a great influence on Bergoglio’s thought, called them. [...] Certainly from Guardini he learned that Dostoevsky described the existence of his characters by considering two poles in tension: "the moment of fullness of existence, the undefined, the fluid element elusive to all form, the sudden and unpredictable.""
** "Bergoglio loves tensions, "polar opposites," as Romano Guardini, who was a great interpreter of Dostoevsky and had a great influence on Bergoglio’s thought, called them. [...] Certainly from Guardini he learned that Dostoevsky described the existence of his characters by considering two poles in tension: "the moment of fullness of existence, the undefined, the fluid element elusive to all form, the sudden and unpredictable.""
* [2023-152] [Italienisch] [[Simone Stancampiano]]: L' ultimo pasolini tra volgar´eloquio e dopostorla, in: [[Antonianum]], 98, 2023, 3, S. 563-584 [Artikel] - [noch nicht online]
* [2023-152] [Italienisch] [[Simone Stancampiano]]: L' ultimo pasolini tra volgar´eloquio e dopostorla, in: [[Antonianum]], 98, 2023, 3, S. 563-584 [Artikel] - [noch nicht online]
* [2023-1xx]] [Englisch] [[Cezary Wąs]]: The ideological sources of Mies van der Rohe's architecture. Comments on the publication of Letters from Lake Como by Romano Guardini; „Teka Komisji Urbanistyki i Architektury Oddziału PAN w Krakowie” Kraków 2022, vol. L, s. 357-379, Februar 2023 [Rezension] - https://www.researchgate.net/publication/368391979_The_ideological_sources_of_Mies_van_der_Rohe's_architecture_Comments_on_the_publication_of_Letters_from_Lake_Como_by_Romano_Guardini_Teka_Komisji_Urbanistyki_i_Architektury_Oddzialu_PAN_w_Krakowie_Kra
* [2023-153] [Englisch] [[Cezary Wąs]]: The ideological sources of Mies van der Rohe's architecture. Comments on the publication of Letters from Lake Como by Romano Guardini; „Teka Komisji Urbanistyki i Architektury Oddziału PAN w Krakowie” Kraków 2022, vol. L, s. 357-379, Februar 2023 [Rezension] - https://www.researchgate.net/publication/368391979_The_ideological_sources_of_Mies_van_der_Rohe's_architecture_Comments_on_the_publication_of_Letters_from_Lake_Como_by_Romano_Guardini_Teka_Komisji_Urbanistyki_i_Architektury_Oddzialu_PAN_w_Krakowie_Kra


==== Zu: Dante (1931) ====
==== Zu: Dante (1931) ====
* [2023-153] [Englisch] [[Rachel K. Teubner]]: Dante and the Practice of Humility. A theological commentary on the Divine Comedy, 2023 [Monographie] - https://books.google.de/books?id=rzHEEAAAQBAJ&pg=PA25; zu Romano Guardini S. 25, besonders Anmerkung 68
* [2023-154] [Englisch] [[Rachel K. Teubner]]: Dante and the Practice of Humility. A theological commentary on the Divine Comedy, 2023 [Monographie] - https://books.google.de/books?id=rzHEEAAAQBAJ&pg=PA25; zu Romano Guardini S. 25, besonders Anmerkung 68


==== Dostojewskij (1931) ====
==== Dostojewskij (1931) ====
* [2023-154] [Russisch] [[Caterina Corbella]]: Crime and Punishment in the Works of Romano Guardini and Divo Barsotti, 2023 (Vortrag) [Artikel] - https://typeset.io/pdf/crime-and-punishment-in-the-works-of-romano-guardini-and-3kj255co.pdf oder https://www.researchgate.net/publication/371682048_Crime_and_Punishment_in_the_Works_of_Romano_Guardini_and_Divo_Barsotti; mit englischem Abstract; zu Romano Guardini: "Barsotti and Guardini focus on Sonya as God's presence. - Sonya embodies holiness through self-sacrifice, living in relation with God."
* [2023-155] [Russisch] [[Caterina Corbella]]: Crime and Punishment in the Works of Romano Guardini and Divo Barsotti, 2023 (Vortrag) [Artikel] - https://typeset.io/pdf/crime-and-punishment-in-the-works-of-romano-guardini-and-3kj255co.pdf oder https://www.researchgate.net/publication/371682048_Crime_and_Punishment_in_the_Works_of_Romano_Guardini_and_Divo_Barsotti; mit englischem Abstract; zu Romano Guardini: "Barsotti and Guardini focus on Sonya as God's presence. - Sonya embodies holiness through self-sacrifice, living in relation with God."

Version vom 9. Juni 2024, 11:19 Uhr

Zu: Dante (1931)

Dostojewskij (1931)